Edouard Vuillard
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November 11, 1868-June 21, 1940. French painter.

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SALINI, Tommaso
Boy with a Flask and Cabbages

ID: 09042

SALINI, Tommaso Boy with a Flask and Cabbages
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SALINI, Tommaso Boy with a Flask and Cabbages


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SALINI, Tommaso

Italian painter, Roman school (b. 1575, Roma, d. 1625, Roma).Italian painter. He has long been famed as a witness in the lawsuit of 1603 brought by his friend and biographer, Giovanni Baglione, against Caravaggio. His activity as a painter of religious works, still-lifes and genre paintings has been reconstructed in the decades following 1950, although his chronology remains uncertain. He entered the Accademia di S Luca in 1605 but was afterwards expelled on account of his 'difetto', to be readmitted in 1618. He was decorated with the Order of the Golden Spur and became a member of the Congregazione di Virtuosi al Pantheon.   Related Paintings of SALINI, Tommaso :. | The birth of the Baptist | I. N. Kramskoy. D. I. Mendeleev. | Vor dem Spiegel | Regatta at Argenteuil | Caravan on the Shores of the Red Sea |
Related Artists:
Alexandr Andreevich Ivanov
painted Appearance of Christ to the People in 1837
Amandus Adamson
(12 November 1855, Uuga-Rätsepa, near Paldiski -26 June 1929, Paldiski) was an Estonian sculptor and painter. Born into a seafaring family, Adamson excelled in wood carving as a child. He moved to St. Petersburg in 1875 to study at the Imperial Academy of Arts under Alexander Bock. After graduation he continued to work as a sculptor and teacher in St. Petersburg, with an interruption from 1887 through 1891 to study in Paris and Italy, influenced by the French sculptors Jules Dalou and Jean-Baptiste Carpeaux. Adamson produced his best-known work in 1902. His Russalka Memorial, dedicated to the 177 lost sailors of the Ironclad warship Russalka, features a bronze angel on a slender column. The other work is architectural. His four allegorical bronzes for the Eliseyev department store in St. Petersburg (for architect Gavriil Baranovsky), and the French-style caryatids and finial figures for the Singer House (for architect Pavel Suzor) are major components of the "Russian Art Nouveau" visible along Nevsky Prospekt.
Colijn de Coter
painted Christ as the Man of Sorrows in c. 1500






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